Lord Horatio Nelson is still viewed as one of the greats in British history and, as a result, his portraits throughout time reflect an almost divine man. It is natural that he would be depicted as the hero that the public wanted to see. He is tall with perfect skin and is decked out in his prim and proper military uniform. Though many of the portraits do portray his missing arm, Nelson actually physical showed his battle experiences and was even blind in one eye. But why would this be portrayed in a portrait? It does not follow the narrative that is meant to be presented.
Yet, a new portrait has been uncovered which may show more of the real Nelson. It was painted by Leonardo Guzzardi in 1799 and throughout time the scars that were depicted originally were covered up by various owners. Continue reading “Portrait Analysis: Lord Horatio Nelson”
When you think of Civil War art the first thing that comes to mind is the photography, right? It was groundbreaking as it was a fairly new invention and was able to capture an exact representation of a moment in time. The photograph is so common today that it may actually surprise you that most contemporaries during the Civil War never saw any of these battlefield photographs as the technology did not exist to print and publish them on a wide scale. What the majority of contemporaries did see were beautiful sketches that documented the battles and happenings of the war in illustrated newspapers, such as: Harper’s Weekly, Frank Lesile’s Illustrated News, and the Illustrated London News. They were hired men who were known as the “Specials”; they were on-site pictorial war correspondents who traveled and actually lived amongst the troops (on both sides!). They faced all the same hardships as the traveling troops and were there in the heat of battle in order to do their work. Using pencils and paper they documented the war and the soldier’s life through their sketches in order for the people at home to have a chance to see what was going on. These sketches are some of the most valuable items from the Civil War. Photography was limited as it could not capture movement or the drama of the war, but the sketches could. As the artists sketched what they saw these could be some of the most accurate depictions (with maybe just a hint of embellishing at parts) and created scenes of human interest for the audience back home.
The image of war changed dramatically during the Civil War as the traditional “Heroic” imagery used in the past was changed to depict a more realistic (and more violent) image along with a stronger concentration on the common soldier rather than the commanders. Continue reading “Documenting History: The Story of the Civil War’s Forgotten Sketch Artists”
I had to put this as a seperate post, but I find the journey of this particular medieval gift to be very interesting. This gift illustrates many of the different occasions to give gifts (which I discussed in my previous post) and how these gifts get re-circulated.
This piece is commonly known as the Eleanor of Aquitaine vase. It was crafted in a pear shaped and was made of rock crystal with a mount made of silver. The gems and gold adornments seen in the featured image were added later by the abbot Suger.
In the 12th century this vase was gifted to William IX of Aquitaine (Eleanor’s grandfather) and is believed to have been gifted to him by Imad al-Dwala abd al-Malik Ibn Hud, the last Muslim leader of Saragossa. Continue reading “Tis the Season for Gift Giving! (Part 2)”
Now that Thanksgiving has finished it is time to begin the crazy ritual of shopping for that perfect gift. Rushing out early on Black Friday and grabbing that last Xbox on sale! It can be crazy, but you can bet I was out there and, as a result, came back with my gift list completely finished. These are some of our gift giving customs of today, but during the medieval era there was a lot more that went into it.
The ritual of gift giving has always been a part of society and many of these gifts have become pieces of artwork that we know today. During the middle ages, among the upper classes, there was a strict ritual surrounding gift giving. “To give, to receive, to reciprocate,” to quote from Buettner’s article, was the formula. Continue reading “Tis the Season for Gift Giving! (Part 1)”
Why are we so fascinated to know what a woman who lived centuries ago truly looked like and why this particular woman? In the media, Anne Boleyn has been characterized in three different ways. She has been romanticized and sexualized, she has been portrayed as a cold-hearted witch, and she has been portrayed as a martyr/victim of a tyrannical king. This seems unfair to a real woman who actually lived and had many of the same stresses as we do.
She is so fascinating to us because we all want to know how she kept the rapt attention of Henry VIII for seven long years (without becoming his mistress) in order to achieve marriage and queenship. Henry was so enamored by this woman that the Imperial ambassador in England recorded that “The King cannot leave her for an hour.” Henry was risking excommunication and war for this one woman. Continue reading “Will the real Anne Boleyn please stand up?”
One of the most important sources of the events of 1066 is actually a piece of artwork. A beautiful embroidered tapestry, 70 meters long and 50 cm tall, depicts over fifty scenes of history. It is most commonly known as the Bayeux Tapestry and begins with the alleged oath of Harold to William and ends with the death of Harold in battle. Continue reading “The Significance of the Bayeux Tapestry”
Portraits and image have always been important for those of royal status in every part of the world, especially in European history. These portraits had to show their power, their status, and, in many cases, show that they are appointed by God/higher being. I used to study art history in university as well and portraiture was always the most interesting to me. I love to study people, their stories, and the legacy they wanted to leave behind. The way a person crafts their image in portraits is a way of creating their ideal legacy, even though it may not be the truest example. Since I was writing this on Outlander Sunday, I wanted to explore the portraiture of Charles Edward Stuart (aka Bonnie Prince Charlie) who I wrote a bit about in my Culloden post about two weeks ago (Inspired by Outlander: Culloden and its Aftermath ). Continue reading “A Study in Portrait: Charles Edward Stuart”