“Midnight” was the code word for one of the final stops of the Underground Railroad. By the time the former slaves arrived at “Midnight” they must have been filled with a sense of relief after surviving miles and miles of dangerous travel. Dawn was right around the corner. At this time, the country was teeming slave catchers. After the 1793 Fugitive Slave Act, a new popular profession was created. This law gave the slaveholders the ability to seek out and have their runaways returned. The law of 1850 expanded this and allowed the capture of fugitives slaves anywhere in United States held territory. It did not matter if the fugitive was north of the Ohio River border (1787 Northwest Ordinance prohibited slavery north of the Ohio River), they could still be caught and returned. If they made it to Midnight (though not danger free) they were just a few miles and a ferry ride from freedom. Have you guessed where this was?
When you think of Civil War art the first thing that comes to mind is the photography, right? It was groundbreaking as it was a fairly new invention and was able to capture an exact representation of a moment in time. The photograph is so common today that it may actually surprise you that most contemporaries during the Civil War never saw any of these battlefield photographs as the technology did not exist to print and publish them on a wide scale. What the majority of contemporaries did see were beautiful sketches that documented the battles and happenings of the war in illustrated newspapers, such as: Harper’s Weekly, Frank Lesile’s Illustrated News, and the Illustrated London News. They were hired men who were known as the “Specials”; they were on-site pictorial war correspondents who traveled and actually lived amongst the troops (on both sides!). They faced all the same hardships as the traveling troops and were there in the heat of battle in order to do their work. Using pencils and paper they documented the war and the soldier’s life through their sketches in order for the people at home to have a chance to see what was going on. These sketches are some of the most valuable items from the Civil War. Photography was limited as it could not capture movement or the drama of the war, but the sketches could. As the artists sketched what they saw these could be some of the most accurate depictions (with maybe just a hint of embellishing at parts) and created scenes of human interest for the audience back home.
The image of war changed dramatically during the Civil War as the traditional “Heroic” imagery used in the past was changed to depict a more realistic (and more violent) image along with a stronger concentration on the common soldier rather than the commanders. Continue reading “Documenting History: The Story of the Civil War’s Forgotten Sketch Artists”